![]() Particularly in the 1950s and 1960s, critics commented on her 'seductive' and 'delicate' feminine palette, sometimes making sexual analogies to her painting process.īlue Form in a Scene, 1961 #americanart #frankenthaler /V圜AqWSY2v ![]() But 'lyrical' became a loaded word for the artist, especially as critics continued to ascribe her softer style to her femininity, which she felt belittled her work. Unlike her male contemporaries of Abstract Expressionism, Frankenthaler introduced a novel form of whimsical lyricism to her paintings. Yet, in spite of her reluctance to discuss the role of women artists, the question of gender has nevertheless come to frame her career.įor six decades, Frankenthaler was a leading exponent of American Abstract Expressionist painting and she is often regarded as a bridge between the first and second generations of the movement, the latter of which was known as the ' Colour Field' group, a term coined by art critic Clement Greenberg.Īlthough not all artists embraced the label, the Colour Field group included Mark Rothko, Barnett Newman, Clyfford Still, Morris Louis, Kenneth Noland, Ellsworth Kelly, Frank Stella and Frankenthaler.Īmerican abstract expressionist painter Helen Frankenthaler in her New York City studio, 1964 #womensart /aNzkMrxrJ2įrankenthaler's abstractions varied from stained, pastel washes (she is credited with inventing the 'soak-stain' technique), to bold, gestural pieces adopting intense and contrasting hues of sharp, primary colours.Īs a young artist, she was inspired by Cubism, Arshile Gorky and Joan Mirò, but was also influenced by those she became acquainted with early in her career – figures such as her teachers, the Mexican artist Rufino Tamayo, Hans Hoffman and of course, Jackson Pollock – whose technique of drip painting and working on a large canvas placed on the floor she adopted. Somewhat ironically, Frankenthaler – who didn't embrace the feminist label – found unprecedented freedom and success as a woman artist. Helen Frankenthaler (1928–2011) Kettle's Yard, University of Cambridge
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